![]() We just started talking about music and … just understanding the story. So I got together with him and, you know, he has his cowboy boots on and everything and … he’s amazing. “It’s like where tragedy is beauty and you understand one because of the other. He wanted orchestral music and he wanted something very emotional that explored the dark side too, that which reflects dynamically against the beauty,” Tyler said. “He was writing Yellowstone and was thinking that he wanted to do very cinematic kind of approach. ![]() ![]() And naturally, it was all Taylor Sheridan’s idea to make the title sequences sound big and dramatic, said composer Brian Tyler, who joined his colleague Breton Vivian at Deadline’s Sound & Screen event that focused on the big of both the Paramount Network drama and the Paramount+ prequel 1923. ![]() Yellowstonewouldn’t be complete without the sweeping orchestral sounds that open each episode. ![]()
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